Monday, 10 October 2011

RASHOMON - artwork + release details unveiled

With eager anticipation, we here at Paradigms are proud to announce the release of RASHOMON's "Ashcan Copy - Film Music Vol 3" later this month as a special digi-pak limited edition. Featuring bespoke, screenprinted packaging, we're excited to premiere the artwork here on the Paradigms blog today. See below.

For the uninitiated, RASHOMON is Matt Thompson, founder member of London's prolific and intoxicating GUAPO. Thompson formed Guapo in 1993 and played with them until 2004, releasing 6 albums on labels including Cuneiform and Ipecac. From 2005 onwards RASHOMON has been his focus, releasing 3 albums so far. Taking influence equally from soundtrack composers such as Ennio Morricone and Toru Takemitsu, and artists like Magma, Univers Zero and Popol Vuh, RASHOMON is a rich experience of decadent exotica, "Ashcan Copy (Film Music Vol 3)" being no exception; a monumental collection of avant exploitation soundtrack / sound library recordings.

"ASHCAN COPY (Film Music Vol 3)" will be available exclusively from Paradigms Recordings on October 24th at The track "Jigora", taken from the album, is featured on the free Paradigms Autumn sampler available now for download on the Paradigms website.

What the critics are saying :

“A restless Univers Zero/Popol Vuh vibe pervades, at times delicate and sensuous, but often heavy, oppressive and dark as a grave fitted with blackout blinds.” (Rock-A-Rolla Magazine)

“Krautrock like, montage styled collages of sound, banging rock structures, swirling organs, jazzy, minimal music and maximal music. Trip music that works well, even without any filmic reference.” (Vital Weekly)

“Matt's obviously been busy imbibing the spirits of Goblin, Fabio Frizzi and Angelo Badalamenti which loom large over these eight tracks. Those influences seep out from each cut like a carmine miasma, but most brilliantly never give the game away - this could just have easily been imagined and fashioned in the late '70s or today. His execution is scarily close to the original aesthetic, from frantically spiralling organ outings and acid-fuelled tension to authentic psyche-funk breaks, harrowed Moog jams and doomy chamber jazz, all played with an incredible instinctive touch” (Boomkat)

“The styles of music vary quite a lot from Goblin esque prog zombie horror, to kitsch sounding library music, eerie prog, elements of jazz. He's clearly listened to a lot of film soundtracks as the music he's created sounds super authentic. Excellent stuff!!” (Norman Records)


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